5 years ago Jonathan Coulton (that's me) started a project called Thing a Week, in which I released newly recorded song every Friday for a year. I'm replaying it in real time here with all the songs and the text from the original posts.
Sometime in this week I found this guitar figure that hypnotized me into playing it for about a hundred hours straight. I wish I had picked something that was a little easier to play, because it drove me crazy during the recording process. My poor, stubby little fingers! I don’t think I’ve done a song for Thing a Week that’s just guitar and vocals, and this one seemed particularly suited to it, so there you are. It’s another love song from a crazy person – this guy wants to win the girl so he can punish her for not loving him. I guess. He certainly seems confused and angry and sad. Do NOT hang out with him.
PRESENT DAY JOCO SAYS: Yeah hey, this one’s a pretty song isn’t it? People ask all the time, which comes first, words or music? In this case it was definitely music, I spent the week pacing around, playing and building this guitar part long before I had any idea what the song would be about. This style of guitar playing reminds me of You Ruined Everything, Drinking with You, and also So Far So Good: picky and folky, thumb working the bass notes. It’s kind of a Bob Dylan via Paul Simon thing. It’s very satisfying to me musically because I get to do everything - it’s a real ARRANGEMENT, not just a bunch of strummy chords.
Guitar part is doubled and very hard to play, so it’s no wonder it took me a while to record. I’ve done this live a few times with Paul and Storm, and my fingers are still not great at playing it. Bridge: three part harmony, all bluegrass-like, brings a tear to my eye it does. There’s something about the sound of those simple harmonies that plugs right into my emotional ache center. All in all I’d say this is a pretty good effort.
This is one of many I’ve written in the category of “songs about assholes.” It’s a classic song writing trick - start from a moment where you were the wronged party, and then write from the perspective of the bad guy. “I broke your heart” is a lot more interesting than “You broke my heart.” And it’s perversely fun to try to get inside the head of someone who is clearly crazy, or evil, or otherwise out of balance. What this guy’s doing doesn’t even really make any sense, it’s just an extremely unhealthy obsession that’s probably super annoying to everyone involved. It’s a twisted concept, and set in such a sweet sounding musical context it crosses wires in all sorts of pleasing ways.
This is very near the end of Thing a Week. I’m getting sad all over again.